28.6.2011

Riverside Museum of Transport in Glasgow

El Museo de Riverside surge de su contexto, del legado y del desarrollo histórico del río Clyde y de la ciudad de Glasgow. Situado donde el Kelvin se une al Clyde, el diseño del museo simboliza una relación dinámica entre la ciudad y el río, es la voz de ambos, los conecta y, a su vez, es la transición entre uno y otro. El edificio, abierto en sus extremos opuestos, se configura como un túnel entre la ciudad y el Clyde. Sin embargo, dentro de esta conexión, la construcción se desvía para albergar las exposiciones. En este caso, la circulación interna del museo puede ser hermética o porosa en función del diseño de cada una de las exposiciones. El esquema de la sección transversal puede ser visto como un paisaje urbano con un gesto que encapsula las ondas del agua. Las ondas exteriores o "pliegues" se incluyen para dar cabida a los servicios de apoyo. Esto deja el espacio central principal abierto y libre de columnas para ofrecer mayor flexibilidad a las exhibiciones del museo.

The Riverside Museum is derived from its context. The historic development of the Clyde and the city of Glasgow is a unique legacy. Located where the Kelvin joins the Clyde, the museum’s design flows from the city to the river; symbolizing a dynamic relationship where the museum is the voice of both, connecting the city to the river and also the transition from one to the other. The museum is situated in very context of its origins, with its design actively encouraging connectivity between the exhibits and the wider environment.

The building, open at opposite ends, has a tunnel-like configuration between the city and the Clyde. However, within this connection between the city and river, the building diverts to create a journey away from its external context into the world of the exhibits. Here, the internal path within the museum becomes a mediator between city and river, which can either be hermetic or porous depending on the exhibition layout. Thus, the museum positions itself symbolically and functionally as open and fluid, engaging its context and content to ensure it is profoundly interlinked with not only Glasgow’s history, but also its future. Visitors build up a gradual sense of the external context as they move through the museum from exhibit to exhibit.

The design is a sectional extrusion, open at opposing ends along a diverted linear path. This cross-sectional outline could be seen as a cityscape and is a responsive gesture to encapsulate a waves on water. The outer waves or ‘pleats’ are enclosed to accommodate support services and the ‘black box’ exhibits. This leaves the main central space column-free and open, offering greatest flexibility to exhibit the museum’s world-class collection.

Zaha Hadid says: “Through architecture, we can investigate future possibilities yet also explore the cultural foundations that have defined the city. The Riverside Museum is a fantastic and truly unique project where the exhibits and building come together at this prominent and historic location on the Clyde to enthuse and inspire all visitors. The design, combining geometric complexity with structural ingenuity and material authenticity, continues Glasgow’s rich engineering traditions and will be a part of the city’s future as a centre of innovation.”

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