7.4.2026

Architecture rooted in the tradition of the Vistula river settlements

At the mouth of the Drwęca River into the Vistula, on the site of former Olender and fishing settlements—where local craft and architectural traditions evolved over centuries—a house has been built that does not seek to dominate the landscape, but to immerse itself in it.

Designed by Kasper Łobocki of Gaspard Łobocki Studio, the house is a contemporary interpretation of Vistula riverside architecture, preserving simplicity of construction, authenticity of materials, and a strong relationship with the landscape—qualities that became key reference points for the project.

The plot is located at the edge of a forest, on a gentle slope descending toward the Vistula. The building is embedded into the natural terrain—the lower level is partially set into the ground, while the upper level opens toward the Vistula valley and the surrounding forest. From ground level, the form of the house remains almost invisible, becoming a discreet backdrop for vegetation and landscape. This integration allows the architecture to engage in dialogue with its surroundings, harmonize with its rhythm and scale, and refer to the history of the place.

The project is a tribute to local heritage. Inspiration came from historic fishing and Olender houses along the Vistula—drawing on their simple construction, material honesty, practical forms, and deep connection to the landscape. For years, the architect has studied the history of the region and its craft traditions, which also stem from his family roots, including wickerwork and life by the river.

Architecture embedded in the landscape

The building’s massing is adapted to the irregular, trapezoidal shape of the plot. It is simple, compact, and partially embedded in the slope. A gable roof with a 35° pitch, without eaves, is covered with black ceramic tiles. The façade, made of spruce wood charred using the shou sugi ban technique and protected with WoodCream wax by Rubio Monocoat, references historic, tarred riverside fishing houses of the Vistula region. The board pattern creates a play of light and shadow: the upper, narrower boards catch the light and cast subtle shadows onto the wider boards below. This rhythmic repetition across the entire façade gives the surface variability and dynamism depending on the time of day.

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The lower level, partially embedded in the slope, takes on a trapezoidal shape adapted to the terrain, while the upper volume is rectangular. The retaining walls of the lower level blend seamlessly into the façade, forming a complex arrangement of forms. On the western side, a retaining wall also functions as a balustrade, framing views of the forest and the Vistula valley and creating a horizontal plane extended into the landscape.

Wood that breathes

The façade is made of spruce wood, charred and protected with Rubio Monocoat WoodCream, ensuring durability and resistance to moisture, mold, and pests. Thanks to its matte finish, the wood surface responds to light while retaining its authentic character and harmonizing with the natural surroundings. This solution fully aligns with the philosophy of the project.

“It was important to me that the wood retain its authentic character—that it not become a dead surface, but a living material that changes together with the landscape. Rubio Monocoat’s wax cream allowed us to preserve this honesty and depth while protecting the wood in a subtle and natural way,” emphasizes architect Kasper Łobocki of Gaspard Łobocki Studio.

Interior in a slow rhythm

The house in Kaszczorek was designed in the spirit of slow life—with an emphasis on a calm, mindful experience of space. Light flows through panoramic glazing, casting ever-changing reflections on the walls. The interiors are kept in a natural, subdued color palette, where wood, stone, and natural textiles such as linen and cotton form a coherent, authentic whole.

The central point of the house is a blue kitchen with a pantry, crafted by local carpenters. The color of the wood shifts with the light, creating a subtle parallel to the reflections of the Vistula’s waters.

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The power of the landscape

The house harmonizes with its surroundings—its partial embedding in the slope and the dark tone of the wood allow the volume to blend into the forest. From the south, it opens to a broad view of the Vistula valley; from the north, it remains compact and intimate, immersed in greenery. A terrace above the carport naturally extends the living space outdoors, forming a bridge between the interior and the garden, which was designed in the spirit of permaculture, with native species of trees, herbs, and grasses. Frequent visits by forest animals—moose, wild boar, squirrels—further emphasize the close relationship between the house and nature.

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