Lucknow Memorial Gate

The ‘Torana’, or bud like element making up a garland, typifying Jain architecture and one of the earliest elements to be picked up by the muslim monarchs in the creation of the amalgamated Indo-Islamic works that emerged in India in the medieval times is also cleverly reinterpreted. While the protruded buds forming an additive approach to softening the stern profile of the muslim arch represented the past identity, the indented ones carved into the same profile as a subtractive approach represent the contemporary identity. The reflection in the water-body endows the fourth dimension and a surreal quality to it, particularly in the night lighting. The pillars are accessible and lead to a deck that gifts panoramic views of the greenery in the vicinity.

The main ideology behind the planning and design of the entire site was to avoid filling up the low-lying areas of the site and ‘asphyxiating’ its ecology; instead by using the existing profile of the land it was turned into an advantage, by positioning an elevated walkway that is both interactive and fruitful to the site.

This elevated walkway is 6m wide approximately 7.5 m high and meanders along a distance of 1.76 km! it runs like ‘a line’ across the site in a zigzag pattern creating ‘entrance-nodes’ at regular intersections for easy access to the park. These nodes also accommodate inviting functions like relaxing zones, food stalls and informal interaction spaces. The concept thus becomes economical and environmentally viable.

The stench that typically accompanies a ‘Nullah’ is done away with by proper filtration which in turn is activated by suitable plant/tree growth. The project is a living example of how working with the environment is always mutually beneficial.

Ironically, in ‘killing several, not two birds with the same stone’, the flora and fauna is kept alive!